Panel Recording

Ten conflicts to watch in 2022

This event looks at the most dangerous wars and crises through the lens of the International Crisis Group’s flagship annual report Ten Conflicts to Watch in 2022.

Event date and time: 20 January 2022 — 18:00 TO 19:00 GMT

Event location: Online

Ten conflicts to watch in 2022

— This event looks at the most dangerous wars and crises through the lens of the International Crisis Group’s flagship annual report 10 Conflicts to Watch in 2022.

Richard Atwood, International Crisis Group’s executive vice president discusses today’s and tomorrow’s most dangerous wars and crises.

  • With Russia massing troops on Ukraine’s border, the Taliban seizing power in Afghanistan and Ethiopia’s civil war intensifying, what does the past year tell us about the state of international peace and security?

  • How do rising tensions among major powers impact multilateral efforts to make peace?

  • What change has new US president Joe Biden brought?

  • What about the impact of the pandemic, particularly as new variants emerge, and the worsening climate crisis?

The event looks ahead at what people should expect in the year ahead.

This event is part of Chatham House’s ongoing work on the future of conflict.

Event format and who can attend

Panel sessions bring together several renowned speakers with different perspectives on an issue, offering the audience a thought-provoking discussion that thoroughly analyses a topic from many angles. They are held in our Joseph Gaggero Hall and on the record. 

Members and guests get priority access, with places available to those who register their interest. 

By registering for this event, attendees agree to our code of conduct, ensuring a respectful, inclusive, and welcoming space for diverse perspectives and debate.

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A close-up shot of a man with glasses and a black and grey plaid jacket holding a white microphone branded with the blue "Chatham House" logo. He is gesturing with his left hand as he speaks, looking off-camera toward the stage. The background shows a blurred audience and a wall with a faint world map pattern.
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